Works

Dancing Shadows (2018) for clarinet, cello, and percussion
Glasgow New Music Expedition | Sound Thought 2018 | Glasgow, Scotland | November 2018

The Way the Light Falls (2018) for flute, clarinet, horn, bassoon, haeguem, and geomungo
Society for New Korean Music and University of Oregon Wind Faculty | Oregon Bach Festival Composers Symposium | Eugene, Oregon | July 2018

Civil Twilight (2018) for violin, cello, and piano
Neave Trio | Longy School of Music | Cambridge, Massachusetts | June 2018

Shadows of the Afternoon (2018) for clarinet, trumpet, bassoon, and piano
RSNO Players | University of Glasgow | Glasgow, Scotland | March 2018

Close to the Bone (2018) for clarinet, harp, and double bass
The Hermes Experiment | University of Glasgow | Glasgow, Scotland | February 2018

Wittman (2017) for bassoon

Murmurations (2017) for alto flute, stone marimba, guitar
Ensemble Móbile | IV Bienal Música Hoje | Paraná, Brasil | August 2017

Strangers (2016) for violin and piano

Silent Key (2016) for vibraphone, marimba, piano four-hands
Pius Cheung, Eriko Daimo, Ben Krause, and Christina Guica Krause
Oregon Bach Festival Composers Symposium | Eugene, Oregon | July 2016

Luminous River (2016) for clarinet, violin, cello, piano
Glasgow, Scotland | June 2016

The Reef (2016) for clarinet, violin, viola, cello
Glasgow New Music Expedition | Sound Thought 2016 | Glasgow, Scotland | April 2016

Specks Infinitesimal (2016) for string orchestra
CoMA String Orchestra | CoMA Midwinter Composition Course | Oxford, England | January 2016

Cross Currents (2015) for shakuhachi, oboe, cello, koto
Ensemble Okeanos | BFE/RMA Research Students’ Conference | Bangor, Wales | January 2016

Textures (2015) for chamber ensemble

Morphology (2014) for clarinet, violin, cello, piano
Workshopped by Red Note Ensemble | University of Glasgow | Glasgow, Scotland | December 2014

Tossing and Turning (2013) for clarinet and piano
Workshopped by Red Note Ensemble | University of Glasgow | Glasgow, Scotland | December 2013